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“Circulate” samples a 1970s Billy Paul song about economic troubles and features lyrics fessing up to the kind of buyer’s remorse to which we thought iced-out rappers were immune: “Looking at my stash like where the fuck is the rest at? Looking at my watch like it’s a bad investment.”Īlthough high-profile guest spots are largely absent on The Recession, the keynote to Jeezy’s inspirational conference belongs to Kanye West, whose Autotuned verse at the end of the single “Put On” is arguably both the album’s highlight and one of the year’s most compelling hip-hop performances. Here his approach is freshened by significant doses of anxiety: Beats and hooks often wax melancholy, and Jeezy finds himself iterating such personal conflicts as paying his relatives’ medical bills and questioning his own buying habits. Up until now, Jeezy’s lyrics were a monotonous if entertaining celebration of the hardscrabble entrepreneurship and day-to-day grind of street life, and they were backed by the triumphant, synth-and-snare production techniques that were the hallmark of the Southern rap renaissance. The thug motivator hardly shies from the task, though, and thus The Recession hits those still reeling from the summer of our discontent like a ton of bricks, or better yet, a thousand gallons of free gasoline. Atlanta’s Young Jeezy has built his brief career on the reputation that he is hip-hop’s Tony Robbins, a triumphant dope dealer pushing equal parts product and inspiration, and so he comes to our current malaise as eagerly as Edward Hopper to a lighthouse or Dennis Lehane to a double homicide.Īdd to that the fact that his most recent effort, 2006’s uneven The Inspiration, threatened to push him into the realm of irrelevant redundancies along with other one-trick-ponies like Ludacris and Lil Jon, and one cannot ignore the sense that The Recession is Young Jeezy’s do-or-die moment. Just as every cop needs a criminal and every superhero needs an arch villain, every motivational speaker needs a societal crisis.
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